Popular music in the Americas, from jazz, Cuban and Latin salsa to disco
and rap, is overwhelmingly neo-African. Created in the midst of war and
military invasion, and filtered through a Western worldview, these
musical forms are completely modern in their sensibilities: they are in
fact the very sound of modern life. But the African religious philosophy
at their core involved a longing for earlier eras—ones that pre-dated
the technological discipline of labor forced on captive populations by
the European occupiers. In this groundbreaking new book, Timothy Brennan
shows how the popular music of the Americas—the music of entertainment,
nightlife, and leisure—is involved in a devotion to an African
religious worldview that survived the ravages of slavery and found its
way into the rituals of everyday listening. In doing so he explores the
challenge posed by Afro-Latin music to a world music system dominated by
a few wealthy countries and the processes by which Afro-Latin music has
been absorbed into the imperial imagination.
Abonnieren
Kommentare zum Post (Atom)
Blog-Archiv
- März (3)
- August (3)
- Juli (2)
- Mai (3)
- März (3)
- Februar (9)
- Januar (3)
- Dezember (4)
- November (41)
- August (2)
- Juli (6)
- Juni (2)
- März (10)
- Februar (2)
- Januar (4)
- Dezember (4)
- Oktober (5)
- September (5)
- August (5)
- Juli (3)
- Mai (6)
- April (6)
- Dezember (11)
- Oktober (4)
- August (3)
- Juli (15)
- Juni (1)
- Mai (3)
- April (23)
- März (3)
- Februar (1)
- Januar (16)
- Dezember (2)
- November (9)
- Oktober (13)
- September (11)
- August (5)
- Juli (8)
- Juni (9)
- Mai (11)
- April (6)
- März (2)
- Februar (30)
- Januar (5)
- Dezember (19)
- November (8)
- Oktober (20)
- September (26)
- August (24)
- Juli (24)
- Juni (14)
- Mai (11)
- April (2)
- März (51)
- Februar (33)
- Januar (226)
Keine Kommentare:
Kommentar veröffentlichen